Another Basket Illusion

[trc65]

 

[SENC]

Always impressed by these, Tim!

 

[Nature Man]

Chuck @Nature Man you made a great observation per your statement, “It appears that the intensity of the green coloration is greater than that of the red, l.e., the red appears more subdued”. Read on
there are a lot of design subtleties the IMHO Tim has implemented as far as elements in design and color. It sounds like he is not done and he probably has artistic reasons why he implemented certain things and as a designer, I can visually see what he was trying to accomplish. If he chose to go further, the rim detail using color and ornamentation if he wants a “correction” could ground and anchor what is in the field to what you brought up that is not meshing with your aesthetics.

Converting the image to grayscale is a powerful technique for analyzing color relationships. This method allows us, much like artists and designers, to objectively assess color dominance, contrast, and overall tonal balance without the distraction of hue. The shift to monochrome highlights the subtle interplay of values, shades, and tints, providing a clearer understanding of the visual hierarchy.

The grayscale conversion emphasizes the underlying pattern formation and its orientation within the bowl’s design, elements that might be less noticeable in the color image due to the chromatic distractions. The pattern’s structure and organization are revealed more explicitly in this simplified representation.

Have a look at this side-by-side comparison of the color and grayscale versions. I don’t want to further analyze and break this down (I can formulate an essay, lol)- more curious if this helps you re-evaluate your first impression.

View attachment 270994

The bowl by itself in gray scale:

View attachment 270995

This type of analysis is exceedingly helpful. It appears from the grayscale images that the green is, indeed, just a hair darker when contrasted with the red. That, and the geographics, I.e., size blocks, and juxtapositions, that I brought up previously, reaffirm the quandary of the disconnects that my mind sees. Taking yet another step back at these images, I believe the comparative contrast in the green vs red conundrum is exacerbated by the pixilated nature of the reds vs the solid nature of the greens. Nothing against the creation, which I still maintain is exceptional. Chuck

 

[Arn213]

Chuck @Nature Man, we have felt that creative friction you're describing – that dissonance between expectation and outcome. It's the same tension you find in music where a jarring note unexpectedly resolves into a beautiful chord, or in a painting where unexpected colors create a vibrant new harmony. This isn't a flaw; it's a deliberate artistic choice (he states this in his multiple post) a hallmark of pushing boundaries within your chosen genre.

His ongoing projects are particularly compelling, not only for their inherent artistic merit but also for Tim's collaborative spirit. He actively solicits and values feedback, demonstrating a genuine desire for growth and improvement. This engagement enhances the viewing experience, transforming it from passive observation into an active dialogue.

Comparing his latest piece to his earlier work, "Pinhead," reveals a striking evolution. While "Pinhead" hinted at his potential, this newer piece showcases a significant leap forward. The complexity has deepened, the layers multiplied, and the dynamism intensified. It's a work that rewards close scrutiny, encouraging the viewer to uncover subtle nuances and surprising contrasts, to experience the piece's unexpected twists and turns. Think of it as adding a vibrant new color to the palette, or introducing a counterpoint in the visual flow—a sophisticated and purposeful departure from the conventional.

This process of "rewiring" your brain, of breaking free from established patterns, is incredibly challenging. It’s a testament to his growth as an artist, a true breakthrough in finding your unique voice and forging a style entirely your own. As they say, to “embrace the struggle” as it's in that struggle that your authentic artistry is being forged. Keep pushing those boundaries Tim; the rewards are truly worth the effort!

Arn

 

[trc65]

This type of analysis is exceedingly helpful. It appears from the grayscale images that the green is, indeed, just a hair darker when contrasted with the red. That, and the geographics, I.e., size blocks, and juxtapositions, that I brought up previously, reaffirm the quandary of the disconnects that my mind sees. Taking yet another step back at these images, I believe the comparative contrast in the green vs red conundrum is exacerbated by the pixilated nature of the reds vs the solid nature of the greens. Nothing against the creation, which I still maintain is exceptional. Chuck

Thanks Chuck! Appreciate your perspective. What you've (this conversation) done is perfectly illustrate the nature of "art" and perception. That it's all subjective and influenced by an individuals totality of experiences.

One's perception is neither right or wrong, good or bad, it simply is.

When I get this one done and post some final pictures I plan to do a write up explaining the choices I made. Not to try and influence anyone's perception, but rather just as some "food for thought".

 

[trc65]

Done with the stitching, rim is next.